Create a 3-minute cinematic airborne sequence beginning with a long atmospheric shot of the horizon. Start with wide, slow-moving aerial footage of a futuristic aircraft approaching from very far away, slicing through layered clouds tinted with soft sunset colors. Wind particles and sun flares shimmer around the aircraft as it gets closer. The camera gently zooms in with a drifting motion, maintaining a close, immersive narrative. Minute 0:00–0:40 — Approach From Distance Show the aircraft traveling at high altitude, light rings rotating slowly around its body. Add deep ambient engine rumble. The sky should feel alive with glowing particles drifting past the camera. Cut to a low-angle shot from beneath the aircraft as it passes overhead, creating a shockwave of light. Minute 0:40–1:20 — Entering the Aircraft Transition into a POV shot moving toward the aircraft’s side entrance. Fog swirls around the ramp door as it opens with a soft mechanical hiss. Add slow-motion breath vapor as the viewer steps inside a cold metallic cabin glowing with blue and purple moving lights. Floating hologram organs made of translucent neon lines pulse softly in mid-air, illuminating the corridor walls. The camera glides close to the organs, showing reflections on polished metal surfaces. Minute 1:20–2:00 — Inside the Vessel Show groups of people seated, reading glowing digital tablets. Their faces shift colors as holographic light washes over them. The interior hums with deep ambient sound. Add a close-up of hands interacting with hologram controls that ripple like liquid energy when touched. Include a shot of the floor turning semi-transparent, revealing clouds moving below the aircraft. Add wind vibrations and faint alarms as turbulence begins. Minute 2:00–2:30 — High-Altitude Flight The aircraft suddenly ascends sharply. Show the cabin shaking slightly, lights flickering. Outside the window, clouds rush upward in slow motion. Add dramatic wind noise, camera shake, and glowing air streams bending around the wings. The aircraft breaks through a glowing mist layer, lighting the cabin with radiant white beams. Minute 2:30–3:00 — Descent & Final Camera Sweep The aircraft begins a slow, controlled descent. The camera switches to an exterior shot following behind the aircraft as it sinks gracefully toward lower cloud layers. Add swirling fog, drifting particles, and sunlight cutting between clouds. End with a final POV shot inside the cabin as all hologram organs dim slowly, lights shifting from purple to soft golden tones. The screen fades out with engine hum and wind ambience continuing softly. General Style Instructions – Keep camera movement close, immersive, and smooth – Add deep atmospheric sound design – Use rich fog, particle effects, and reflective lighting – Keep the tone mysterious, futuristic, and cinematic